WFTB Score: 8/20
The plot: Determined not to let her stepson Prince Edward marry and deprive her of her throne, Queen Narissa pushes the lovely Giselle into the real world on her wedding day. Once over the shock caused by modern day New York, Giselle discovers that there is more than one Prince Charming prepared to bestow true love’s first kiss.
Disney once ruled the roost in the world of family films, but it’s a world that has recently become a very crowded place, whether you’re talking about animated features or otherwise. Hemmed in by a horde of revisionist fairytales (the Shrek Trilogy and Hoodwink’d to name but two), Disney have decided with Enchanted to make fun of themselves, although as might be expected the ribbing is very gentle.
The beginning of Giselle’s fairytale story is very familiar, with its pop-up storybook and old-fashioned swelling choir leading us into an animal-filled dwelling, clearly inviting us to recall classics such as Sleeping Beauty and Snow White. Giselle is looking for her first experience of true love, seemingly to be provided by the square-jawed Prince Edward. Saving Giselle as she falls from a tree, the pair are to be married; but the jealous Queen Narissa, in the form of an old crone, puts paid to the union by pushing the bride into a mysterious waterfall, causing her to land up in a live-action Times Square.
As the animated section lasts little longer than ten minutes, it would be wrong to dwell on it too much. However, the characters are clearly drawn with the live actors in mind and this makes them look odd, and Amy Adams’ voice is not particularly suited for a cartoon heroine; also, the wise-cracking chipmunk Pip comes across like an annoying PA, so it’s a huge relief that he loses his voice in the Big Apple.
Anyway, Giselle (now entirely represented by Adams) is rescued from her Big City trauma by pragmatic divorce lawyer Robert Philip (Patrick Dempsey) and his daughter Morgan, who is not allowed the fantasy of fairytale books even though she’s only six. Robert is due to marry fashion designer Nancy (Idina Menzel), though as he gets to know Giselle better his feelings about her and romance as a whole evolve. In the meantime, Edward (James Marsden) also arrives in New York to rescue Giselle, hampered by Narissa’s devious lackey Nathaniel (Timothy Spall) who pops up and tries to trick Giselle into eating poisoned apples.
You can guess the fun and misunderstandings that are to be wrought from naïve cartoon characters appearing in businesslike New York, and Enchanted does a pretty good job of presenting them: an impromptu musical interlude in Central Park is a particular highlight, the cast singing That’s How You Know with energy and colour; the vermin cleaning Robert’s flat are also funny and immaculately brought to life. As far as the story goes, however, there are a few problems.
Firstly, the basic idea of Enchanted is essentially a copy of Elf, and Will Ferrell does the larger-than-life fish-out-of-water rather better than Amy Adams, who is all wide-eyed surprise and hand waving. Secondly, Adams and the rest of the cast are not well served by a mediocre script, which takes a lot of time establishing that Robert doesn’t believe in romance when it should be having fun.
James Marsden is entertaining as Prince Edward, but he is often overshadowed by Spall or the Computer-generated Pip (who we see too much), and Edward inevitably recalls Cary Elwes in The Princess Bride, a much sparkier and wittier movie. The script also has shopping as the most magical thing that can happen in the real world (“much better than a fairy godmother,” says Morgan, waving a gold credit card); this is great news for all the Manhattan boutiques that get a bit of screen-time, but is surely a horrible message to give to children, however subliminally.
I have other minor gripes too. Not that she has to be, but Rachel Covey as Morgan is not a particularly cherubic child; she’s no brat, which is good, but compared to (say) Mara Wilson at a comparable age she doesn’t bring much to the picture. Menzel is badly done by as Robert’s less charming option (scenes giving her a more rounded character were cut for ‘pacing’), and palming Nancy off with Edward seems small recompense. Whilst Susan Sarandon is perfectly good as Narissa, getting to act her head off in the scary finale, and Giselle rescuing Patrick a refreshing reversal from the norm, the end of the film is not particularly original – and it’s a long time coming. And don’t get me started on why the song chosen for the Waltz is all wrong!
Enchanted is not a bad film in the slightest, and viewers of a certain age will no doubt find the adventures of the sweet Giselle completely captivating. For me, however, it doesn’t shake up memories of classic film fairytales so much as make me wish I was watching one of the classics instead. For while this has its moments, it’s not particularly magical, and I can’t see it being regarded as a classic in the years to come.